Mouth Cancer And Coyotes

San Michele Arcangelo

19/02/2011


Beautiful and powerful, with its white wings and his body sculpted and muscular, I get the archangel Michael. Everything turns in front of me, and we are in a green lawn. In the midst of this lawn, trees and a large boulder. Michael goes and sits on the rock, closing its mighty wings, looks at me and I look at him. Behind him, as projected onto a large screen, slide images of life: the life of man on earth. Michele begins to speak:
"Look, man! Look, behind me, what the everyday man lives on earth. See what combines the man when you forget to observe the divine laws? What you see and you seem to be a screening of a horror movie, is - in truth - that your brothers, your sisters, on earth suffer from other men who gave their lives to the devil.
Today I'm here for God's will. I come as a messenger from God, to warn, to warn about the danger that all of you, men and women of the earth, you are running: the danger that if you start to fight and destroy it, will destroy you. Why is hidden, like a asp poison inside your brothers. And you know, no one is immune from its attack, its poison poison that stuns the mind, hardens the heart, kills feelings triumph by hatred, anger, evil, cruelty and arrogance. Taking the lead shot, unequivocally, in actions to say the least destructive and terrible, towards others and himself. I want to warn against this danger, whose name - as you understood - is the devil. The devil, as God has his own kingdom, he also has his kingdom: a kingdom made of darkness and terror, of pain and corruption. The demon tries to man, and if man is little in front of the attack is able to bribe, promising him what he wants, or to reach its goal quickly: harassing or destroying, killing or brutalizing another people or his brother. Because this is the task of the demon: to take actions so serious that the man no longer able to repair the harm done, so to have to suffer from the Judgement of God, eternal punishment. Here are the winning demon. The devil deceives man on earth: the illusion of being the master of the world, or simply of his life and that of his brothers, and convinces him to take actions against himself and against others in exchange for an illusion . Because it is just an illusion - and nothing else! - Feeling so strong and powerful to control the world. Kill their brother, anger, hatred, or to possess something of his, killing his body and mind with drugs or a life to the limit, to search for new sensations, risking their lives. And all for the illusion of being larger, stronger, better, richer and more powerful than others. This illusion is over, dear men and disappear into thin air, when at the end of your life - which is nothing but a dress rehearsal to deserve eternal life or not - you will find yourself before God That God does not know what time, and disdain . Before the Father, and with justice - the justice that you have ignored in your behavior, in life - with justice, in his infinite goodness, will judge you. And you will only have to kneel and apologize to him who is the sole and undisputed master of heaven and earth, the only one who can decide life and death! You will feel his power and his love, and you'll understand what it means to be righteous. But perhaps not even the prayer of Mary, your advocate, will help save you from eternal punishment.
heed, men and women! Beware of minor demons, servants of Satan, that creep in among you, trying to hit the weakest man, looking for a new soul to sacrifice to their master. When you hear or feel a feeling not good and just, against the neighbor, when within you the desire to be superior makes you step on your brother, at any cost, just to get to the end, when anger, rage, shame, and when morality within you gives way to arrogance and when not complied with the humble and the downtrodden, when you do not stretch your hand to the needy and just think to your well-being means that you are the victim of some demon.
invite all of you, men and women think. Remain silent for a moment and think about your life. And if you find that within yourself you can be entertained or even a demon tempter, go to church - though maybe you've never gone - go to church and participate in the Mass, confession and make even better fellowship. But, failing that, attend Mass together with the people of God and the shepherd of the flock. And you will see that when you exit, you will be better: lighter, freer. Say a prayer to the Virgin Mary, to take care of you and your soul. And who knows, maybe you can still save you. Finally
being, I, Michael, the angel appointed by God to fight the devil and his demons, I ask you to defend yourself and fight the demon tempter. How? Simply praying. Try to stay in God's commandments, to obey the laws of life, of morality. Try to be Christians not only in name but in fact, attend Mass, confession and take communion whenever you can. And you will feel lighter and more serene. For those who do not believe in God I, Michele, I say to you: You live without doing evil, nor to yourself or to others, respect life in all its forms, be good and just, and maybe, sometimes, exchanged a few words with those who believe in God, Who knows. Who knows, God might arise between you and a new friendship.
Also remember, all you men and women that God does not make false promises, no promises benefits, if it hurts others, not sparing the life. All you get, and that gives you is the fruit of your work and not trample on others. God does not discount, but gives grace and eternal life.
I greet you, the sons of God, and I hope you will always be in his grace. "

Gulf Stream Crossing Motorboat

CONTINUE THE TOUR Tullio De Piscopo, INTERVIEW: "THE SINGLE FAMILY SUPPORT IN DIFFICULTY"

Continue tour of Tullio De Piscopo that 25 to 28 February will stop in Puglia : the Neapolitan singer, since last summer, has seen success with the public and critical acclaim for his last record " THIS 'THE HISTORY ," a double CD in which they collected the hits of yesterday and today, interpreted by Its unique battery, plus a new, "Conga Milonga," and the remix of "slow pace", which celebrates 23 years of life. The second CD, however, has as its main protagonist of the great love of De Piscopo: which he plays drums with large pieces of blues, jazz and classical music, like "Carmina Burana", "Dies Irae" from Mozart's "Requiem" by Verdi.

Among the stars who worked James Siena, Francesco Sarcina Vibrations, Giuanni SHADAI, Fausto Leali, Edoardo Bennato, Alex Britti, Astor Piazzolla. As an individual has been selected the new, explosive "Conga Milonga" for which he sought the collaboration of composer Raniero Gaspari, known arranger, and singer of reggae-Latin Emilia El V who plays in the song, a devilish ragamuffin. Here is the interview with John Zambito for the week of Oct. 15 All . Tullio De Piscopo

"This is the story ..."?

The story of a Neapolitan street urchin in the sense that I was a man in the street, free to think and to master any both in terms of artistic and human.

is more difficult to remain free in life or in music?

in music. There are many people who want to influence you, especially when you are "hammer" and beat you, you are strong, but when you are "anvil" is easier to be hit and you're not in the foreground.

What does it mean to be "hammer" or "anvil"?

When you have power and are present in the list then you are "hammer" and you'll find them all around and try to make you "anvil" and the moment that you're nobody gives you a hand. It happened already in the forties with the Trio Lescano, group exceptional disappeared immediately after the war, in the fifties and no one has taken into account.

How he behaved in difficult times, who has supported?

I have had my moments of weakness and on those occasions to behave in an intelligent catching the drama and difficulties on the fly. I helped my family: I have two daughters now older, both university graduates who have given me the joy of his grandfather, Micaela has a daughter named Julia four years while Giuseppe has just given birth to a "prince", Matteo Tullio five months.

The reaction of children to the sound of drums?

I am very attracted to and since he was a year Julie wanted to stand on it.

Tullio De Piscopo what the battery, what evidence in the play?

The sound is my life, I can not live without music, is all my life is not just about playing, it's a way of being.

in her career she has collaborated with many artists as well as for the last record, what they gave?

Each of these artists gave me something that I have jealously guarded my personal baggage, and especially Astor Piazzolla, a musician at 360 °, who wrote music even though the special was recognized only after his death.

Speaking of music as a way of being what she does not like the artists of today?

I do not like the fact that many do not become artists but become artists, and continue to do so off the stage when we need instead to behave normally as others.

How far should put between stage and life?

No distance: If you only have to respect the public love it, otherwise one would notice.

Naples is still a crossroads of international culture and music?

There is still something but not like in the seventies and eighties when there was the NAPL's famous Power: the new generation, unfortunately, have no place to express themselves, to play, there are adequate facilities and the crisis is certainly not improve things. Not having the chance to impress on a magnetic ideas and fantasy becomes increasingly difficult to succeed, not to mention television and radio: the first was easier.

In TV there are, however, the talent show: what do you think?

There are only those, but once the race but there was no actual transmission of music where young musicians could deal with those already established: the talent but does not access anyone who has at least a saint in heaven.

So does not like programs like "X-Factor" and "Friends"?

are beautiful things, but there are few. It would take more space in general instead of the usual quiz programs for music but not only for singers but for pianists, guitarists, violinists ... John Zambito.

The tour

FRIDAY 'February 25

Tullio Piscopo & SOUTH DE JAZZ GROUP MEMOIRE in concert at San Severo (FG), 22 pm Sunday, February 27

Tullio Piscopo & DE BIG BAND JAZZ STUDIO ORCHESTRA in concert at the Teatro Kursaal SAINT LUCIA (Ba), from 21 hours

MONDAY, February 28

TULLIO PISCOPO & BIG BAND JAZZ DE STUDIO ORCHESTRA in concert at the Odeon Theatre, Molfetta (Ba) from 21 hours

Body Fat Percentage And Muscle Separation

Mary

13 to 02 - 2011
"Hail to you, the people of God! Hello to all of you who love and believe in God Almighty. Here I am, I'm Mary, the servant of God, I am the one who said, Behold, I am ready: will be done for God, my Lord! And so I obeyed and became the mother of his son, Jesus - the Son of God and mine. Humble servant of the Lord, having received such an important task: to give birth, like any newborn, the Son of God
You know, my disbelief and my fear was so great. Incredulous that God had chosen one of his humble servant for the task, and that his angel was directed to me, to announce the arrival in maternity: motherhood of God. And the fear of not being equal, fear of what people could say to this motherhood, for a virgin girl - as I was - and without her husband. You see, he could put myself, my person, in bad light, doubting my good faith, and perhaps thinking bad things about me. Moreover, even today the joy of motherhood, a child on the way, is often manipulated and ruined people's opinion. And if the girl is no husband and no lover, then here is that instead of helping to cope with motherhood, the cleaver of the false modesty and false wisdom of the people, clearly falls on her and her child, as innocent all the children. And the mother is alone and abandoned, with the burden of guilt on her. Sometimes forced to extreme measures, that all life will weigh on his conscience. Instead of accepting help, being helped to hide in shame, and to call a life, life that is growing inside her, a mistake. But what is wrong? The mistake you do it, judging by your ignorance and your law, despicable and devoid of feelings. A life is always accepted, unless it is God himself to remove it. Only God has the power to do so, and he alone gives and takes away life, remember that! That's why I, the Virgin Mary, gladly accepted my role. And with faith in God in the heart, all things are settled and I could give birth to Jesus, the Son of God
In my time, like yours, a girl who remained pregnant in unusual circumstances, ie without a husband, without having already formed his family, was the subject of strong rumors, opinions, slander of the people. The times have not changed: today is the same. Have you developed only where there has been useful. But if a girl only has the ability to give birth to a son this is still the subject of scandal. And me, Mary, I wonder: when did you grow and begin to think that life is always a gift of God? And it created, and modern amenities in your world, the opportunity to live this mother with her son in peace? Away from the opinion of the people, but rather in a house, where, perhaps along with others, to grow this great gift God has done. And love him as a mother - only a mother! - Loves his son. Do not be the executioners, although not material, who wants to grow inside the womb and see the light of this new life, and perhaps serve God, to the joy of being born.
It is time that terrible word, which is called abortion, is only an extreme act of God has already stopped when the life in the womb. And not for the justice of man, who can not even look after himself. Let alone the others! Young mothers, scared and sometimes persecuted for life that grows in you, remember: God entrusted to yourself and your baby! He alone knows what is best for you and he'll open all the roads in order to keep joy with your child. Not your friend, brother, parent, people. In this case, your best friend and ally is God! Trust in him, and everything will run its course.
After this discourse on life, and what is precious, I want to thank the people of God, firm in his ideas of faith, love and peace, pray to God that the world can improve. To all of you who are just a few and maybe you'll still be less a sincere thanks from me, Mary. I will always be at your side, in your hearts, if you want me in your homes, if I open the door to let me. And with me and with me, will enter into God's love and peace in your heart and in your families.
Thank you, dear children, your still and silent prayer that keeps the lights on in this world where light, for those who suffer and for those in difficulty, there is very little! With little people who are like a beacon in the sea, who, with his guiding light around him who sees nothing but darkness and deep darkness. Thank you - your prayers and your faith - still carried the miracles, healings impossible, assisted by missionaries to the needy. Thank you! And I invite you to pray even more, and always with the heart, to give more strength to our prayer. I, Mary, I greet and bless you.
And remember: if you want, I am always with you and with your loved ones. "

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EINAUDI PUBLIC "What is love", an anthology of "Poems for lovers." FATTITALIANI INTERVIEW THE CURATOR FABIANO MAXIMUM

of John Zambito. Already author of the stories used in "The Mother there is only one" and "Waiting for Christmas . 25 stories on the eve " published by Einaudi , Fabiano Massimi edited the collection of " What is love. Poems for lovers " that the same publisher has reprinted (Pp. VIII - 332, € 18.00): an anthology that houses the most beautiful and intense poems of our literature composed by Petrarch, Leopardi, Montale Michelangelo, Sibilla, Alda Merini via Lorenzo de 'Medici, Metastasio Emilio Praga, Ugo Foscolo to Erri De Luca. The volume is divided into the following sections : I love, praise, waiting, unhappy love, passion, Absences and farewells, the disappointment, love and death, what is love. Fattitaliani interviewed Fabio Massimi .

From the preface intuits how deeply you love poetry: an operation today such as "What is love" is attractive from the commercial point of view?

Contrary to popular belief, poetry is a field very much alive and busy. It is true that the world there are more poets than readers of poetry, but the main series in Italy we say rather well, and produce large catalogs reprinted continuously. Poetry is not born for commercial purposes, and not to soften the public accounts at year end: it is a feather in the cap, without which even the best cut dress would seem incomplete. In the medium term, however, a good editor who chooses his collections can get to earn much more than you had anticipated, and not only in terms of prestige.
What criteria has run the best choices so difficult? The division into sections and come together for selection?

The criterion was, for once, personal. There are endless fees and systematization of Italian poetry, but here I did not want to aim for completeness, representativeness or "justice literature." The objective of 'What is love "is to suggest to readers two hundred love poems inspired and powerful : to make them fall in love with this art, if not already, to renew their passion, whether it is standing. So, put some fixed points (limited to Italian literature, which does not feel like a limit, represent all the major poets, but also once famous and then resized, do without any note at the bottom of page) I accumulated hundreds of love poems and I read and reread quite a number of times. At each step, or drop any of them, not because she was beautiful or interesting, but simply because they were the most beautiful or interesting other. Of course, in my opinion.

As the division of the index was created spontaneously by observing the return of fixed issues from author to author, from generation to generation. Thinking a little, the reason was evident: all love through that stage, sooner or later. And so the collection has become like a map of all love.

What special education from the classics had always carries with him in his studies, his activities?

the teachings of the classics are often invisible because they operate under the skin at the molecular level, and change us deeply. Form us. Maybe I should say that I carry with me no teaching of the classics, because they are the teachings of the classics to bring with them. But back to the purpose of collection, a wonderful truth is this: "I have what I won. "

He does tto a line from a poem his motto?

not p rop river, but there is a quatrain Heartbreaking D'Annunzio, who I always considered my counter-slogan, a challenge to live so as not to ever get to say "Yes, he was right him. If you're curious, you can find in the library, in the opening section of "Disillusion." The antidote is another masterpiece of D'Annunzio: the poem that opens the Laus Vitae Maia.

Young and poetry, marriage difficult?

Depends Who writes poetry with more transport a boy? And who hates poetry as a boy forced to study it? A matter of occasions just to meet the poet, or the right teacher can make a difference, transport or embed this hatred forever. At the end we can only create opportunities, and if they are roses bloom.

What do you think should change its approach to education in order to study the poets even those closest to us in time or those considered "minor"?

just starting to read aloud in class, alongside the official program. I had a very long academic career in the humanities, but I had never met or Antonia Pozzi Diego Valeri until recently. In my opinion the guys - some guys say, because poetry can not like, and I see no reason to force anyone - would like them very much. "Minor" is sometimes just a synonym for "not innovative" and said that those who innovate, produce better poetry?

What it will approach a stranger Italian poet, and why?

Sbarbaro to Auden: the intensity that does not force the words. And it will remain.

Things To Buy A Stroke Patint

L'Elisir d'amore at the Teatro dell'Opera in Rome. Fattitaliani interview the director Ruggero Cappuccio, "Donizetti's music tells a story related to the light"

of Giovanni Chiaramonte . Una furtiva lagrima / appeared in her eyes: / Those bright young / seemed to envy ... Who does not know the Elisir d'amore by Gaetano Donizetti? Generations of Italians have grown on bread, pasta and furtive tears. In the nineteenth century a new representation of work that could awaken hope in these times, we can be for a derby ... but unfortunately these passions have been the bread and Italian pasta: the opera is now so familiar and not the most famous arias, but the passion of an entire population has vanished.

On this issue we begin our interview with Roger Hood , the director of L'Elisir d'amore performed at the Teatro dell'Opera di Roma until 18 February. writer, theater director, playwright, producer , Roger Hood belongs to that select club of southern cultured in which clarity of view, passion for literature and creative blood were completely mixed, perhaps due to the southern sun, the good studies, sea \u200b\u200bwhich have nourished the eyes and, last but not least , at that 'otium all southern ignorance of a certain north translates lazy ...

Dr. Cappuccio, why the work that so much had happened in the nineteenth century, today it is reduced to one fact elitist, in a niche ..

There is a lack of ability to promote the renewal of Italian opera in the world. The Italians are a people very fond of the rituals of comfort, people tend to have a crib in the mentality. What does this mean? That the crib is growing every year and that the position of the Infant Jesus is the center between the Virgin and St. Joseph, which starts in the ass and the ox in the place that other ..

So we are a nation of children protected by maternal habits ...
Absolutely. Italians as a people derive much comfort from the supposed invariability. The more things do not change the more they are comforted. An example: in Naples almost every year stages "Poverty and Nobility." The show we know, the film Toto is extraordinary, Neapolitans know by heart all the lines of "Poverty and Nobility", but yet every year we go. It 's like if I had the feeling that the Neapolitans decide to laugh before you even enter the theater laugh out of sync, almost laughing before the joke has been delivered, and this happens with the audience of opera.

short, is like the mother's sauce, which just makes it that way, regardless of who is good and should be eaten on Sundays ...
Exactly. So let's say when you go to see "L'Elisir d'amore" the public tends, in 99% of cases, pay the ticket to arrive at a crucial moment, which is The furtiva lagrima. The Arriva furtiva lagrima and expects that this sauce is just the sauce, as she said, which is baked every Sunday and you have an idea that now is part of its taste and regards cooking pasta, the density of the sauce : If there is a minimum time lag compared to the taste and expectations consolidated consolidated the public about the affair and there is overflowing. The other aspect is that we have not had the ruling classes can, in this country, to promote cultural renewal rather, say, a cultural growth, because then any renewal is based on tradition, this is obvious. But what does it mean to renewal? It means as in '33, as in this opera was made, there were a lot of classic operas, which then were not so classic, because in '33 Verdi was much closer to us, but then there are the titles Verdi would find that even today, only eighty years have passed, there were three more news on that bill: there was, for example, Respighi, who was a contemporary at that time, so there is little capacity to promote renewal, there is little capacity to promote the new guidelines of the scene, both as regards the direction both as regards the young composers.

Very little short on young composers and artistic directors to give them space?

Very little artistic directors. Let's assume for a moment that there are no compositional talent - may be - but we can not say that in a city does not have football talent, if there is a field where play them! The history of many composers teaches us that without the exercise of the scene the composer is not growing. When Fellini made his first film, The White Sheik , critics said, the only thing that we believe are constructive and lucky is knowing that this man will never do more than a movie. Then Fellini made them other films, has made masterpieces planetary. Then, if there is a place to exercise where a composer - which of course has the talent - can test their skills, these things will not ever find out. It 's a very self-referential world, not open to the news, it seems that - a bit' all over Italy, not only in opera but also in literature, theater - the task of those who manutengono paintings and art was more to lower the level of art to the public that does not raise the level of public art.

With regard to 'Elisir of love, there is a particular vision of the work that has gudata as a director?

There is a temptation that often runs an opera director, a danger to be enslaved by the idea of \u200b\u200bsurprising the audience. I'm not fascinated by the idea of \u200b\u200bsurprise. There is another danger: that always show a new angle on things. Now, sometimes it is impossible to show a new angle and very dangerous, unless you do not have a great need and a very clear idea of \u200b\u200bwhat this new angle. One of the problems on which we reason is that many times recently the director when staging an opera, is an argument about the plot, the characters and the plot: what happens in 'L'Elisir d'Amore ? There is a small country town, there are reapers who return from work, there is a capricious girl, there's a guy who is in love with her, but she creates a series of obstacles. Just for a director to build the stage action are those that follow the evolution of the plot? In my opinion, no. So what is the really interesting thing? The book tells a story, then you as a director say, here's Castel Sant'Angelo, here is the ballroom of the masked ball, here is the scope of the harvesters, but there is a story told music! Then there is the point. I felt that the story Donizetti was music that told a story about the light, was a desire to light. Of course I may be wrong, but I have heard the way he consult in seeking clarity in the musical texture, this reasoning very strong light. Then, beyond that which is the evolution of the plot, I built a world that is having an affair with light and music that Donizetti wrote.

Then she tried to bring the work to the original spirit .. .

to bring it back to the original spirit in a new form, because in some cases the original spirit of these things is the most modern of the alleged modernity, because basically the modern, second me, what is he really? E 'essentiality. Now, in the essentiality Seneca is modern, for as he writes, for the speed, the incision can build. A journalist who writes today can not be totally modern. Elisir d'amore is encumbered by years of props, because they make real hay, tractors, baskets, farmers, neckerchief. An addition to burglary, I would say. E 'right? You might say, but expensive cap, how do you think she did Donizetti in Milan in 1832, when he staged? There was not a skyscraper, there will be a field of corn! It 's true, but it was painted! It was a painted backdrop. The painted backdrop in itself creates a magical relationship and fabulous. The painted backdrops and then allowed a distancing from the fact realistic to say: Now we will show you the country, but, mind you, is a game! What's the really interesting part of the show without trying to make things from it? If I make you see ' Annunciation by Leonardo in the Uffizi Gallery, I'm asking for collaboration: that I'm asking the viewer to believe with me, and then to start the imagination of the individual. But if I fill you with visual events in the scene, you witness, you have fun too, because it can reach the helicopter, the limo with Don Giovanni, Donna Elvira with Suzuki, and you say: looks, the Suzuki comes into the picture! But these things could have value in the fifties when Garinei and Giovannini did appear in Rinaldo field in the three robbers with the donkeys, who were singing 'we stayed in three', and it was fun. We are no longer at that moment, we are no longer at that stage, we are no longer in that context, so many times is the essentiality ancient. The former is essential - in some cases - so much so that - in some cases - still surprised us greatly in the face of traditional forms of painting and sculpture. Why? Because there is an essential sign. There is nothing more than what it should be: and the most difficult to write, as in the staging, you do things where there is nothing more than what it should be. Just one more thing and that essential is compromised.

If you could choose a work to be staged ...

do not have a desire, a dream about what you put on stage. I liked it until now work on these adventures that I have graciously been proposed. I was lucky enough to know that I consider very young ones of the great masters. The closeness with Riccardo Muti when you have 33 years and made his debut in the world of opera, is a gift from the Almighty, the proximity of Roberto De Simone, another gift, to have known close by Giuseppe Patroni Griffi, Raffaele La Capria, Gioacchino Lanza Tomasi, are great gifts because they just come into this world that brings an ancient culture and modern culture, great expertise. Now it seems that to look away should always try to stand on the shoulders of giants, in some way. Surely I would love to stage Rossini or Mozart. Mozart I have come close because I staged Cimarosa: it is somehow a kind of ancestor! But I must say that you want to put on stage only to the extent that there should be a musical project with a director who wants to do a certain kind of work do not do it, at all. In fact most are concerned, passionate, one thing to put on stage, I become more cautious, because it has such a delicacy! We must ensure the protection, nurturance. One thing that distinguishes me is that I have withdrawal symptoms, meaning that if for example a year or two I'm not a theater director I'm fine, because I read, write, and if I do not put in an opera scene live well. There are many directors who have this phenomenon, most just out of charity, dependent on the stage, they really need that atmosphere, that environment. Fortunately, there are many other things in life and then there is a certain balance.

will be published Thursday, February 17 the second part of the interview, dedicated to Roger Hood writer

L'Elisir d'amore

Music
Gaetano Donizetti

playful melodrama in two acts Libretto by
Felice Romani
Duration: 2 hours and 40 minutes (range)
Tuesday, February 15, 20.30
Thursday, February 17, 20.30
Friday, February 18, 20.30

Director Bruno Campanella
Directed by Roger Nicola Hood
Scene Rubertelli
Costumes Carlo Poggioli
choirmaster Roberto Gabbiani Lighting design
Augustine Angelini
Interpreters
Adina Adriana Kučerová (4, 6, 12, 15, 17) / Rosa
Feola (18)
Nemorino Saimir Pirgu (4, 6, 12, 15, 17) /
Ivan Magri (18) Fabio Maria
Belcore Capitanucci (4, 6, 12, 15, 17) /
Gezim Myshketa (18)
Dulcamara Alex Esposito (4, 6, 15, 17) /
Simone Del Savio (12, 18)
Erika Jeannette Pagan
ORCHESTRA AND CHORUS OF THE OPERA
New production of the opera house
go to the site of the Teatro dell'Opera di Roma


(photo Falsini CM)

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Dario Lo Scalzo, explorer of our time, the world of international banking and finance goes to social-business. Fattitaliani's interview, Part I

of Alfonso Hunter . a novel? a poet? a reporter? a genial work from the banking world? Who is Dario Lo Scalzo ? Maybe all that and something else. Personally, I've learned to shy away from the definitions, too stringent, generally misleading, unable to grasp that particular makes the difference. Meeting Darius, with whom I spoke willingly for interviewing you, I have removed the temptation to find labels: every life is unique, unique, like that of every man, every woman, so I prefer for him to tell.

about 8 decades ago I was born in Agrigento, perhaps not by chance. I've always been a very active and dynamic since the early childhood years in the sport I found a way to express myself, to know me, find myself and grow.

I find it really interesting the relationship between you and Sport ...

Today I can say with certainty that sport in general and in particular the Athletics have been a real training ground for life in my way. The athletics has prepared me to the hardness of life, I was prepared to sacrifice, but also the effort to grasp the beauty of our surroundings, to enjoy the joy of sharing the pleasure of grasping the success tied to the commitment and passion, honesty, fairness.

Among your many athletic interests and values, it makes me think of the image that Paul of Tarsus gives of himself, one who trains, compete, dare the challenge lies in the arena and runs.

Athletics has taught me to compete with my "self" as a precondition for improvement and growth. Today it is this that leads me in the marathon of life: look inward, to follow what I feel inside, improve and love what is outside of me with the belief that this love is contagious, and then produce a domino effect in others. I observe, I see, I create and try to give the positive part of my person and spontaneous.

Your marathon existence "when he had his real incipit? obviously beyond the day of the coming to light.

I graduated in economics and business in Palermo and at the same time I obtained a minilaurea in marketing in France. Since then, it started my long journey. A physical journey, but also interior material and spiritual. I started working for a well known international bank, first in Milan then Paris and then in other countries on five continents. A great learning experience, and rewarding one for me, to which I am very grateful. In fact, beyond my professional growth, very important, In those years I saw and observed, I know the world and the people who inhabit it. I crossed the diversity and I talked and lived with it. The magma of a new awareness has begun to move in myself.

You talk as if something had happened to you has projected a further, towards a (A) lter.

After the prestigious managerial experience in the world of velvety banking and finance, I chose to go beyond eliminating the mark, in a sense, the counter to restart from the field of microcredit in Latin America. At that time it was the right combination, the right mix of skills acquired to be made available for social or business case for something that had a real social utility. Throughout my career I spent a good part in a bank of free time to philanthropy, volunteering in the area but also elsewhere, traveling the world.

nothing short of a sudden, after you read "eternity of the moment."

fire was a "click", there was an undeniable and irreversible force that pushed me to do more in the first person to see a child smile. In my "vacation relief" in fact was what I wanted and I was totally filled with joy much more than, say, a professional recognition. In that historical moment, therefore, the field of microfinance was the way to go. After a while Dario was born another, that of today, perhaps a Heraclitean for which the change is the only permanent thing of life. Nothing is permanent except change.

So you've dipped among the poor and poverty.

With regard to micro-credit, this experience introduced me to a different world but also a poverty different from that I knew through my travel around the planet.

said to us: What is microcredit?

Microcredit is a useful tool to provide opportunities those who did not almost right, it offers the opportunity to build a people without dignity to humiliation and dependence resulting dall'assistenzialismo it is also a training process and educational development model led by the lens to improve lives of other human beings (as they are to us) who live for nothing. But attention is not all gold that glitters, and must recognize the limits of that system but, thanks to Yunus, in its conceptual simplicity, has represented and still represents a real revolution and peaceful evolution of our times.

What limits looming, which could run?

limits, in my opinion, lie in the risk of transferring or wishing nolendo the Western model in the socio-cultural distance from that model. The risk would be to "standardize" indigenous Indians tribes "trimming" the system of slowly-god money, gradually eradicating their traditions and origins.

What to do?

All reality is that in Africa, Asia or Latin America has its own history and its facets, incorrect and hard to seek universal solutions. Certainly if I were at the junction between the risk, to strive, to distort the culture of a people and to let him die of hunger today, I would have doubts about what to do. Another danger on the horizon for the micro-finance could be linked to more frequent interference from the banking world classic, before the financial crisis and saturated markets recently is really hungry looking at the micro, a time for fortune snubbed, now considered areas of "potential", from which there is also hoping to benefit. But that is another chapter, further discussion to discuss it in depth.

return to you.

After the experience of microcredit in Central America, I started a long sabbatical in which I traveled to Latin America and South America by combining consistently travel and projects / collaborations nell'umanitario . Then return to the West, spurred by a desire to return to "import" in the world where I belong new ideas, new ideas, new energy, awareness and testimony. Today, with much more are business consultant and writer .

Yes, it is still hot off the press his latest anthology of poems "The eternity of the moment" (published by Zone in January 2011), as well as his novel "The kitchen seen from scannatoio" (Zona 2010), and begins to mature a few years "The cry of a tie the knot tight", another collection of poems (published by Libroitaliano in 2008) ...

Correspondent reporter-Dario writes for "The Change" for which he created and manages the book "Invisible History." He has worked with the magazine "Left Incidents", with the monthly "The Clandestine with a residence permit" and "Girodivite. In his articles dealt with different issues. He has written articles on the endless war in Congo, on microcredit in Latin America, racism, equal opportunities, the SLA, human rights, childhood obesity, light on athletics and its values, on the situation of our country and curiosities and oddities from the world

Meanwhile I see his pen "Frolic," I do not want to stop treatment. We meet. Soon we entertain again.
© PLAY PRIVATE

Mexico, Veracruz, Antonio lives with his family in one of the poorest rural areas of Veracruz. With her first loan received from microcredit has invested in goods and products for his shop for food that was created five years ago. Before working on the streets by providing manpower with his bike. Today, the fourth loan, turns in motion and has also created a hardware store next to the shop.

Things To Buy A Stroke Patient

"ROMEO AND JULIET", FROM 14 FEBRUARY TO Teatro Eliseo in Rome. Riccardo Scamarcio FATTITALIANI A: "MY ROMEO, CHARACTER AND FOUGHT OVER"

In the translation and adaptation of Valerio and Fausto Paravidino Binasco, ROMEO AND JULIET of William Shakespeare on Monday, February 14 (coincidentally, Valentine's Day!) debuted in the first national Teatro Eliseo in Rome with Riccardo Scamarcio and Deniz Ozdogan for directed by Valerio Binasco . Today was held the press conference and Fattitaliani was present.

am always impressed - said Riccardo Scamarcio - analyze the relationship between Romeo and Mercutio, as they were conceived and written these characters. And I asked myself exactly in the middle.

In what sense?

Romeo is the dream that is warning of something much stronger sense of a mystical mystery that works on humans, on himself. Instead, Mercutio suggests that after all the dreams are made of nothing. So on the one hand, the human capacity to be the center of the universe and therefore individualism and the other the ability to believe in something unknown, more powerful than himself. I'm right in the middle of these characters, but the fact that a show can go and touch this dilemma seems to me incredible.

So it is your Romeo?

It 's a guy capable of enchanted as a child, and opens with smiles of pure but at the same time with black soul, with a strong propensity to destroy. It 's a character too, fought, that part totally in love with Juliet and then is ready to do anything to her, even in the first part would already be ready to commit suicide. It 's a double that Romeo is capable of surprising and at the same time inclined to destroy ... Mercutio lives in the present and everything is now, it's an individualist, it is usually the favorite character from the intellectuals who defend the individual and the power of words. I am interested in those intellectuals that somehow does not ignore and accept the presence of a mystery: the mystic is certain, though it is uncertain. And I'm sure that there is a mystery, indeed I am afraid that there is, I suspect, something that eludes us and we still are not there, and then Romeo is ready to say that God, the mystery there and follow his feelings. Romeo and Mercutio with the condition of men are thinking.

How do you remember your first time at the theater?

E 'was my first approach to acting: I did a play in dialect, "Poverty and Nobility" of shoes, I was a Eugene Marquis that appears two or three times, a traumatic experience, but There I learned to love the theater, the silence behind the scenes at a time before going on stage.

What do you like to see theater as a spectator?

I'm not a regular visitor to theaters in Paris I saw an incredible spectacle of Peter Brook; Binasco is a director who follow, Paravidino is a director who follows ...

What other "Romeo" you referenced?

there has not been possible to consider any other Romeo.

Compared to being an actor in the cinema what changes to the theater?

I realized one thing: a theater in the research phase of the character is a time when you do not talk, you talk, do not act, you're done, so there is a kind of annihilation of your ego who wants to protect themselves from this unknown world that is inclined to do to find out the things that you do. To be able to do the scene and find things that are unknown to you, you have to put aside the ego in the creative energy is no more to whom you depend. The items do not depend on you, you who depend on words. This I find truly therapeutic transference especially for people like me who has an ego overflowing. I felt a little 'sliced \u200b\u200binto pieces and this experience has bunched up.

What does "Romeo and Juliet" is a show still relevant?

This show is currently on the condition of provincial life, with some episodes of current events that we read in the newspapers. Italy is a country full of contradictions at the bottom, a country where religious institutions have created financial and subversive: a country with a deep sense of anarchy, with very little concept of the state. The Church was invented in Italy, the banks have invented the Italians and the Mafia as well. From this analysis, we understand that a country is really crazy, so it is full of artists, and the concept of state is a failed concept, the concept of organized civil society and has failed, so there is a rule of law. John Zambito.

TEATRO ELISEO

14 February to 13 March 2011

Riccardo Scamarcio - Deniz Ozdogan

ROMEO AND JULIET

of William Shakespeare

translation and adaptation of Fausto Paravidino and Valerio Binasco

with Zavatteri Antonio, Filippo Dini, Fabrizio Contri

Andrea Di Casa, Lisa Galantini, Simone July

Gianmaria Martini , Giampiero Rappa,

Nicole Robello, Roberto Turchetti, Fulvio Pepe

and Milvia Marigliano

scenes Carlo De Marino

costumes Sandra Cardini

lights Pasquale Mari

original music Arturo Annecchino

associate director Nicole Robello

director Valerio Binasco

production

New Eliseo Theatre / Company Gank

in collaboration with Teatro Gloriababbi

How Often Should I Get Brazilians?

LORENZA Ghinelli, AUTHENTIC literary event, A FATTITALIANI "the Devourer" obsessed me for his childhood. INTERVIEW

Lorenza Ghinelli is the new name of fiction: his first novel "devourer", published by Newton Compton (pp. 256, € 9.90) is giving a hard time with books and writers of repute: for the publisher, his literary debut is the most important part of this beginning of the year. Sold in Spain, Brazil, Holland, Russia and France, the book tells the story of Denny, a child of seven years with a toxic mother, a father and drunken crowds, classmates bully him and consider him crazy. When it's just to win the disturbing terror invents rhymes. He has just one friend, who calls himself "Field of Dreams", a cruel old, scruffy, with a stick in his hand that revenge Denny, if someone tries to harm him.

And then there's the 14 year old Peter, a geek with the gift of brilliant design, the only eyewitness to the disappearance of aberrant few kids that reproduces what he sees, but unfortunately no one believes him, no one but her professional educator, Alice, to which those drawings Lolghi sleep and fall into the nightmare, remember something that long before had tried to remove.

Fattitaliani interviewed Lorenza Ghinelli who confesses his feelings and his emotions in the face of a finding that surprising.

Four editions in twenty days, a huge success. Did you expect? what were your hopes and expectations?

obviously hoped that the book was fine, and I was hoping for me and for the Newton, as this book has believed and invested a lot. is a shared success. But I have uploaded this hope with expectations excessive. In short, we are now in its fifth edition, no, I did not expect.

Anyone who has read the first novel?
Alessandra Penna in 2010 was to believe in the book so much to expose themselves in person, is my editor, and the results are extremely gratifying that we are collecting.
What type of editing has been done on the manuscript?

The editing work I did in fact with Alessandra. For its part, there was enormous respect for my style, not what we are going to touch the book I feel it my hundred per cent. Alex has helped me notice some ingenuity upon which I worked.

Can you tell us about the inspiration and in the gestation of "The Eater"?

"The Devourer" I wrote between 2006 and 2007, but the figure of the Devourer haunted me since I was a child. Let's say that for me it was time to get rid of, and to do so I had to face up to the end writing this book. Now I can go ahead and tell new stories.

What your nightmare or your anxiety texture gives body and texture?

See, for those with a keen sensitivity is always a bit 'like walking on a boundary: on one hand there is the reality, with its load of pain and frustration, the other is the madness that sometimes seems to be the solution to everything. I tell that boundary, and tools, or their absence, which may dictate the choice. Since

work as an editor and writer for Taodue, "The devourer" work in a filmic transposition?

I believe that the Devourer is perfect for the cinema. You know 'Let the Right?' Behold, The Devourer should have those colors, that perspective.

of Dreams: Beyond the character of the book, what is yours?

Mine is what I found in the book. The Devourer feeds on fears, obsessions, leak. Nobody can be immune to the man of dreams. John Zambito.

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Sanctum 3D CINEMA FROM 11 FEBRUARY TO AN UNDERWATER WORLD OF CLICHE '

of John Zambito. The Americans, you know, are the largest makers of film and especially the technological effects. When you undertake, however, also be able to even the most rhetorical and tedious. In "3D Sanctum", directed by Alister Grierson and written by John Garvin and ANDREW WIGHT, out in Italian cinemas on 11 February the subject of environment was unusual: a cave deep ocean Pacific for the first time violated and explored by humans, in this case a group of cavers with the rude and proud master diver Frank McGuire ( Richard Roxburgh), a leader of the expedition.

Inevitably, the inevitable happens: during an exploration of the way out is blocked by a sudden flood, and the team must overcome a maze submarine in order to survive and be rescued by those remained on the surface.

Frank has to convince the rest of the troops to follow his intuition: and at this stage the script and plot are developed according to a set of plates and wetlands near the end too pathetic.

E 'it possible that the United States the relationship between father and son (in this case between Frank and Josh, played by RHYS WAKEFIELD, Bonazzi, but the father is more) - cinematically speaking - should often be resolved or at least relax in a tragic setting, where it is required the day of reckoning and a need to rethink their wrongs and reasons of others?

Put also the usual idiot who only create discord and cause further turmoil, the financier Carl Hurley ( Ioan Gruffudd), the beautiful actress who combines the usual mess and crap, Victoria (Alice Parkinson).

But not enough to put up with the slow massacre that is consumed but must also listen to a quote by Coleridge and poetic phrases of effect as "The caves are my church ...

Granted, the film is produced by Andrew Wight, who worked with James Cameron to test and refine the 3D technology, but does that mean?

However, see to share, comment, to disagree.

BOARD

CINEMA RELEASE: 11/02/2011

PHOTOGRAPHY: Jules O'Loughlin
ASSEMBLY: Mark Warner
MUSIC: David Hirschfelder
PRODUCTION: Sanctum Australia, Great Wight Productions / Osford Films, Relativity Media
DISTRIBUTION: Eagle Pictures
COUNTRY: Australia, USA 2010
GENRE: Action, Thriller
LENGTH: 109 minutes
SIZE: 3D Color

Shelly Martinez Jewels

Books: Cataldo Naro, On the crest of the modern world. Short writings on Christianity and Politics, edited by Massimo Naro

Books: Cataldo Naro, On the crest of the modern world. Short writings on Christianity and politics , edited by Massimo Naro, with Agostino Giovagnoli Preface and Afterword Nicola Antonetti, Salvatore Sciascia Editore, Caltanissetta - Rome 2011, pp. 688, € 34,00.

"The Lord gives me a great gift of inner peace, a serenity of the fund, which amazes me and gives me strength." Not long ago I wrote that for Fattitaliani Mgr. Cataldo Naro enough these few words, rightly regarded as the heart of his spiritual testament in order to produce an idea of \u200b\u200bhow he lived surprised by the beauty of our relationship with God, who never leaves the man himself and its complexity. In the same text continues by stating that: "Of course, Mgr. Naro was not relieved by the roughness of the human or from difficulties that gave him the exercise of his ministry, however loyal, had an unshakeable faith in the Lord and deepened knowledge with indescribable love. "

Now that I am about to present, giving excerpts from the Foreword by Massimo Naro, editor of the work, is a new publishing company which in addition to enrichment, with the order number 73, the series "Studies Centre A. Cammarata 'of San Cataldo (CL), performs the praiseworthy effort to collect historical essays, short studies, articles, interviews and published our own, between 1979 and 2002, lost a considerable amount of publications in different character and bears witness-integrating the features of attention-from the writings of evangelical Cataldo Naro for man , history, the city.

The volume gathers a little more than eighty writings, divided into four thematic sections: "in which they are respectively grouped the essays and studies that relate to the history of the Catholic movement in the nineteenth and twentieth century ( some recovered and treated uniformly by Naro, the second of three volumes of his work The Church of Caltanissetta between the two wars. II. Catholics in society: politics, economy and culture , 1991), those that illustrate the inextricable interweaving of Christian inspiration, education and socio-political commitment of the Church which materialized in some specimens of Catholic events along the Throughout the twentieth century, articles on political and Italian Sicilian Naro - especially at the turn of the eighties and nineties - watched with great interest and commented with intelligent lucidity, then operations on the metamorphosis Church after Vatican II took place between the ' pressure of the secularization and the demands of a new evangelization for the West of old - but now worn out and weakens - Christian tradition. Within each section, however, the order is basically chronological.

ongoing opportunities the editor: "Beyond the issues outlined in the individual sections, what unites all the texts collected here is the intent Cataldo Naro they play in understanding the socio-political tradition of Catholic inspiration that Sicily - as in the rest of the country - was, during the twentieth century, full of initiatives and prominent figures. The focus of Naro, often, is devoted to the events of Nyssa, not a provincial selection of comfortable (archives and libraries immediately available to him that he lived there), but why in Caltanissetta had taken place two events of capital importance for the socio-political history of Catholicism: the congress of provincial councilors and local Catholics in Sicily organized by Don Luigi Sturzo in November 1902, that historians regard as the starting point of the adventure that brought the priest to found calatino then, in 1919, the Popular Party, then the first meeting of the founders of the new Sicilian Christian Democrat, in the aftermath of the Allied landing in 1943, at the offices of Joseph Alessi, who - following - would become the first president of the region.

This ability to identify facts and figures local placing them within a frame, however, suffered more extensive and complex, allowed to exceed the Naro localism and go, without interruption, in scenarios in which the larger fragments local history were the most valued by him as an enlightened global significance while they themselves helped him to understand and explain the situation the largest in a network of reciprocal links between particular and general that allowed him to reach a proper historical assessment of what happened and what continues to happen, past and present. His point observation was specific and particular local language, but his eyes never ceased to wander at regional and national , while continually returning to focus on the fragments, nearly wiping them - so - under the magnifying glass. He, moreover, to apply this method polar commuting as well as a comparison of leading figures and actors and minor events between local and regional or national events, including the interaction between private and public historical sources, including church and state documents, including option believer impartiality and scientific research and analysis, between inspiration and Christian renunciation of claims in the political history of sectarian sturziana appearance (in which we can trace the beginnings of that "healthy secularism 'in Naro already talked about in his text of 1988 and another in 1994, promises to be a secularist secularity is not understood, that as a vision of life and political non-clerical nor anti-clerical), especially between spirituality and action, as he was convinced that his experience had been the spiritual motivation more radical social and political activism of many Catholic personalities, famous or little known, the Italian twentieth century. "

If every single incident is collected here as the piece of a beautiful mosaic of what was once the Bishop's chair Mgr. Naro, the Cathedral of Monreale, is essential - in my humble opinion - for a harmonious and not one-sided reading of the entire thought of the bishop, to grasp what was his vision and relationship with modernity, not something from which Don Massimo declines, in fact, clearly, note in his speech: "Naro believed Christianity Church - with its various expressions membership, training and education - far from being incompatible with modernity, and indeed historically effective in mediating in Sicily as in all 'Italy, although the issue of modernization of the social system dynamics. On the other hand, he considered not as a threat to modern Christianity, but as an event not to desert and as a test case with which to measure it with seriousness and dedication. "

In exergue sentence for mail volume, we have not only the justification of the title of this collection, but also the clear track of the relationship-modern Christianity in intellectual thought and Pastor Nar Cataldo or "It's about being on the ridge of the relationship with the modern world, to accept this modern world that allows Christianity to be more evangelical, but also to reject everything that can affect the root of the Gospel. "

volume, even if you have to do it, you can infer what Cataldo Naro was attentive to the social profile of Italian Catholicism, as well as policy "which he understood as an important factor in the history of Christian Church in Italy."

I am convinced, and Don Massimo reinforces my idea that the pages offered in this new and welcome publication, are testimony to the inclination of the Author "to critically question the results of his research and its reflection in comparison sought and supported with other scholars and intellectuals and other items of public social and ecclesial 'and this is not only exemplary, but not recently, at a time when solipsism and sterile grandstanding attempt to mislead and end up in their laces.

Alfonso Hunter

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RAIUNO, MAX RIGHT BACK TO PARCELS "Your Business", ON Sunday, February 13 The eighth edition

Deal or No Deal and parcel Fool and again, and paccoX paccoY . You realize this is your parcel of lottery that gives hope for the past eight years and millions to competitors. For the new edition that will air on Sunday, February 13 at 20.40 there will be to run Max Giusti, which is its conductor since 2008 with 397 points in the well. Max is a versatile presenter. A bit 'special, experts say.

The reason is given by its face. His voice whose tones vary according to the characters. Since that time capable of appropriating the facial expression of several known and beloved characters. It 'hard to take him seriously when he speaks. But when you become fans of Max takes the microphone in his hand and began to speak to the public.

Or do you seriously when he declares that: "In my career I have not distant dreams. The most relevant thing is to give the program will use best of my expertise. why I am proud that this new edition of Deal or No Deal, I was entrusted again. Although it is hard to believe, are excited for the choice that the director Mauro Mazza has done once again on me. This is currently my dream: to be able once again to give the best general that the company chose me. "

In times like these (false modesty) Max convinces precisely because of his enthusiasm . Without publicly out. This wonder of the success that surrounds him. It 's a rare entertainer who brings into play every time hoping and praying to succeed very well in his role.

How will this new edition? "with many innovations," says Bassetti owner of Endemol, (with Rai produces the program). In this eighth edition, we introduced a new game "The Soothsayer", by which the competitor turns guessing the premium content in a given parcel before opening it, he won € 1,000, in case of wrong answer, will constitute a jackpot that can grow from point to point, until it is won.

The paccoX paccoY and may have a value between 0.02 cents and € 200 thousand. will be competing in the same decree the value extracted from the urn in the studio in early episode, two envelopes containing the value to associate the two parcels.

The charm of fame really like Max . That is no exception, but vivaiddio recites that the fact of being recognized by people he likes and feels gratified. Like when he went abroad with his wife (by the way has become a father) and is stopped (the program is aired through Rainternational at nine in the morning) the people who smile at him and hail him with sympathy. In short, it is our playful BungaBunga, the representative of all Italian also offers moments of suspense and joy to our friends across the Mediterranean.

But could it be otherwise? With that face a bit 'so, with that sly look and ridanciano and with that mouth smile that invites us to believe that our Italian Max Bingo face again. The appointment at 20.40 on February 13 RaiUno . Francesca D'Amico.